It's
impossible to believe that Kishore Kaka is dead. How could a man who breathed life into
everything around him die? He was my favourite uncle - it seems so strange to say 'was'.
Not that we saw him very frequently or were extremely close. But he was very childlike and
innocent. There was always a sense of wonder about him.
His eccentric ways weren't just for outsiders. If others
complained that they weren't allowed past his gate, his behaviour was not any different
with us. He'd do it with us too. There were times when he would himself invite our family
over for lunch, we'd go up all the way to Juhu and end up waiting at the gate. There,
right within our view, Kishore Kaka would ask his man to tell us he wasn't in, if he
wasn't in the mood to receive us. Mummy would get irritated, then hand over what she had
carried for him, and say to the man, "I've brought him some of his favourite food.
The least he can do is eat it." And we'd all have to return without getting past
those doors.
We had a house in Bangalore, a huge sprawling one on an acre of
land near the army establishment. It had always been drilled into our young minds that the
land was once a burial ground. We went there for our holidays once. Amit must've been
about 5 years old. While I was between three and four. The place was spooky, the
atmosphere eerie - and we were very scared. So much so, that we would accompany each other
to the bathroom too. And Kaka would insist on telling us a story - a ghost story, at the
dead of night. He'd take us to a certain room from where you could see willow trees
swaying outside in the wind. Kaka would insist that we sit with our back to the window and
we'd obediently do that. Then he would point to a tree under which a Colonel had
supposedly committed suicide and start narrating a spooky tale. That wasn't all. He would
deliberately provide eerie sound effects to go with that story: tan tan, thak thak thak.
And he'd even jump at us suddenly. All this was most nerve-racking - Amit and I would
literally be quaking with fear. If we turned our heads to look at the trees, he'd
say,"Peechhe se haath aaya", and then add "Colonel abhi nahi aayegaa, baad
mein aayegaa." Which made it worse. There was one particular story (one of the many
cooked up by Kaka) called The Golden Hand, which was the worst. Whenever I heard that one,
I wet my pants. Literally.
Like Dad, Kaka was quite paranoid about money, and about not being
paid. But Kaka's eccentricities made him do funny things. .................At another time
when he discovered his dues hadn't been fully paid, Kaka landed up for shooting with
make-up on only one side of his face. No one really noticed, until all the lights were
switched on. "What's this?" asked the shocked director. Kaka nonchalently
replied, "Aadha paisa to aadha make-up. Pura paisa to pura make-up.".........
Kaka's mad ways could take other forms too. Once, when his car was
caught in a traffic jam, he happened to be outside a grocer's shop. "Yeh laal laal
kya hain?", he asked his driver Abdul. "Masur ki daal hain", Abdul replied.
In a flash Kaka was reminded of Mussoorie and he told Abdul, "Chalo Mussoorie
chalen." And then he took off for Mussoorie right from there itself.
When I was at FTII, I was exposed to a lot of his films. Half
Ticket, Chalti ka Naam Gaadi and all the rest. I marvelled at his sense of timing. Some of
his films were totally mad but he had a terrific feel for the absurd. During the shooting
of Badti Ka Naam Daadi, some clothes, without which the continuity of the scene would be
affected, had been inadvertantly left behind. It would have been too much of an effort and
expense to fetch them. Kaka improvised and introduced a new scene right in the middle of
the first. The scene showed him sitting on a chair in the middle of nowhere, saying,
"I'm the director, I'll do anything I want". The next scene had everybody
continuing with the earlier scene - in different clothes!........
What an actor he was...Occasionally when he'd come home, I would
ask him, "Kaka, why don't you act anymore? You're so brilliant." He'd reply
firmly. "No. I'll never act for other producers again." He hated to collect
payment from people, to chase them for his money........
Kaka was also very fond of food, especially of amangshor jhol, a
thin Bengali-style mutton curry, with maida puris. He loved the way Mummy cooked it, and
she'd prepare it for him everytime he came here. When he came here after Mummy died, I had
it especially made for him. He was very touched and said, "You remembered,
Pallu." He also loved tiny bits of gobi (cauliflower). He'd say, "Cover me with
mounds of fried gobi. I'll lie under them and keep eating the gobi. Even after I've
finished it all, I'm sure I won't be satisfied!"
Just two months ago I'd finished writing a script on Dad and
another on Kaka. Thought it would be good for a documentary film. When I told Kaka about
it, he asked me to call him on a certain date. When I did, he put Amit on the line,
instead of speaking to me himself. I was quite exasperated because I was quite serious
about it. It was a script written to show the sensitivity of the man. Now it is too
late.....
When I saw Kaka lying dead, covered with flowers, I couldn't think
of it as real. The feeling I got was that he would suddenly get up, and true to his
nature, stick his tongue out, cocking a snook at all of us, and say, "See what I've
done to you guys!" I wish it had happened.
From : Filmfare's special issue (Nov 1-15, 1987),
less than a month after KK's death